Music

This encyclopaedia contains over 5500 entries to musical terms, musicians, instruments and genres. Contemporary information brings entries up-to-date, while modern entries broaden the approach to include the artists and styles of music from gamelan and Percy Grainger to Max Roach, REM and Rap.

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today's beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

Since its initial publication in 1980, the Dictionary has been widely acclaimed as an indispensable resource and a classic reference. The word "updated" doesn't begin to describe the thousands of new articles, topics, cross-references, and areas of scholarship incorporated into The New GroveII. Every one of the first edition's 22,500 articles has been reviewed and revised, with thousands of articles expanded. Previously neglected or under-represented areas have been examined, explored, and explained. Movements and topics once deemed too controversial or too far from the mainstream havebeen added. And throughout, 6,500 new articles cover more than 5,000 years of music history, instruments, composers, institutions, performers, genres, and more.The New Grove II takes you beyond the customary and familiar into new worlds with extensive, authoritative contributions on non-Western music. From major influences, such as Latin American music, to less-examined contributions, such as Asian, sub-Saharan African, and Pacific Islander, The New GroveII presents the music, theory, instruments, and musicians that have helped to define music around the world.

The entries cover all aspects of music, using material compiled by an international team of scholars. Among the features that make The Norton/Grove Concise Encyclopedia of Music indispensable for every home and desk are the authoritative biographies of composers and performers, concise explanations of terms, and title listings for hundreds of musical works.

Richard Taruskin and Christopher Gibbs have taken the best-selling six-volume Oxford History of Western Music and created a one-volume edition suitable for the undergraduate music history sequence. This compelling narrative introduces students to the broad sweep of music history by makingconnections between music and the larger human, social, and political context in which pieces were created and heard. Abundant features such as timelines, chapter summaries, key terms, study questions, and a glossary, ensure the volume will be accessible to students of varying levels.

First Published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Incorporating a decade of musicological research, the Dictionary is unsurpassed in its scope and quality, with contributions from over 1,300 of the world's leading critics and scholars. A remarkable 11,000 articles, all fully cross-referenced, create a work that has become established as the essential opera reference. Indeed, every aspect of this varied art form is covered: composers, conductors, directors, performers, librettists, literary sources, cities and countries, operatic historians, and opera genres and terminology. ·Over 1800 operas are discussed from the late 16th century Florentine Camerata, through the great 18th and 19th century operas, to contemporary works such as the minimalist theatre pieces of Philip Glass ·The lives and careers of over 2900 composers are discussed in depth, with entries containing critical assessments as well as discussion of their individual careers and major achievements ·Profiles of every singer who has made a significant contribution to opera are included, from Francesco Rasi in the 1600s to Luciano Pavarotti in the 1990s ·Two unrivaled indices of character names and arias make it the most useful and user-friendly opera dictionary available ·Illustrated throughout with rare photographs, reproductions of original posters, set and costume designs, and scenes from recent performances